Redefining Micro-Budget Filmmaking: The $6,000 'Layover' (Guest Blog) - TheWrap:
"On “Layover,” I used the only camera available to me at the time that would allow me to be light and compact, without drawing attention to myself (since we were shooting guerilla style) and didn't require a ton of light to get an acceptable image (since were shooting the whole film at night). I used the Canon 5D mk II, and we lit the whole movie using a 1×1 LED panel light, china balls, some Home Depot can lights, and 250 watt practical bulbs. That's it. One of the great things about the Canon 5D mk II and mk III is its light sensitivity. You can shoot using much less light than would be required on an Alexa or a RED. It's also small and compact. It's easy to move, to hold for long periods of time, and delivers a beautiful image if used correctly. For the World Premiere of “Layover,” we had the final film blown up to 2K for a DCP and projected onto a 50 foot screen, and it looked really good.
Did we have a professional production sound mixer with thousands of dollars in equipment on set? We did. For one day. And then we realized we couldn't afford it throughout production. So, one of my producers, Vertel Scott, came to me with a solution: an H4N Zoom recorder, wireless lavs, a boom mic and pole. That's it. Our post sound mixer asked us what we had recorded on. I told him and he responded that our rough tracks sounded better than 90 percent of the professional raw audio he gets in."
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